Tuesday, May 2, 2017

Bruno's Bedtime Stories


“Censorship reflects a society’s lack of confidence in itself.”
-          Potter Stewart
I straddle the fence where censorship is concerned. The proud-scholar side of me hates the idea of restricting information. The helicopter-mom side of me sets parental codes on anything possible. I hate televisions shows like South Park and Family Guy. Why take something intended for children – cartoons – and fill it with adult content?
Am I being too Wilhelm Grimm here? I do not want my daughter watching a show with sexual language and content. It infuriates me that seemingly child-appropriate television is anything but.

Image result for south park meme licking carpet

I do NOT want to explain things like this to my daughter…
With that being said, we love Tom and Jerry. Old school cartoons are the best! Can I get an amen?

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Oh, wait… it that a gun? That’s right, Tom Jerry are known for beating the fresh hell out of each other. Bettelheim made an astute point about the joyous struggles of parenting, “the most important and also the most difficult task in raising a child is helping him to find meaning in life.” Am I hurting my child by keeping things from her? I do believe that censorship has a tendency to make things more appealing. Why did I read Fifty Shades of Grey? I wanted to know what all the fuss was about! I wanted to get in on the controversy. Whether I am arguing for or against something, I want to be an expert on the matter before I do so. Am I enabling my child by keeping things from her? Am I a hypocrite for allowing her to watch shows that are blatantly violent while forbidding shows that are overtly sexual?
Bettelheim said, “The acquisition of skills, including the ability to read, becomes devalued when what one has learned to read adds nothing of importance to one’s life.” So which version of Puss in Boots is more valuable? The one where a young miller’s apprentice is underestimated but later rewarded for his hard work, or the one that examines the objectification and subjugation of women?

As a nice, honorable, hardworking person, I know these characteristics are not always rewarded. The idea that the nice guy gains his riches for being pure of heart is, to put it mildly, a fairy tale. Though Angela Carter’s version of the tale is considerably more “adult,” it teaches valuable lessons about “bro code” and demonstrates that evil knows no gender. With that in mind, I see Bruno Bettelheim tucking his toddlers in at night with Carter’s Puss in Boots

Monday, May 1, 2017

Brodi Reid: A Fairy Tale Re-Write

George and Rebecca Bennet had it all – the money, the power, and the fame. Their lavish trips to foreign countries and rare, exotic cars were all the envy. From the outside looking in, the couple wanted for nothing; they had all the happiness money could buy. Unfortunately for the Bennets, true happiness could not be bought, and what they longed for most was not theirs.
Rebecca Bennet struggled with infertility issues throughout her marriage to George. They spent a fortune on medications, in vitro fertilization, and even surrogacy. Rebecca had all but lost hope when her luck suddenly changed.
One breezy October afternoon, Rebecca strolled through her neighborhood and admired the children as they played. She thought of the large swimming pool and the unoccupied tennis courts in her backyard. She sighed and accepted the harsh truth – the laughter of children was not hers to hear. Suddenly, out of nowhere, Rebecca heard a voice no louder than a whisper:
Rejoicing in hope; patient in tribulation; continuing instant in prayer,” the voice breathed.
Rebecca looked around, but she saw no one. Later that night, she regaled the events that occurred earlier that day. She told her husband about the voice and the warm feeling she felt after it had spoken. She typed the words into her Google search engine and learned that the words were from the Holy Bible. Rebecca took these words as a sign from God, and she fervently prayed that he would bestow a child upon her.
In less than a year, the Bennet family grew by one. George and Rebecca loved their unborn son more than words could ever begin to express. The decided to call him Brodi Reid. Rebecca called in the best decorators in the industry and hired the finest furniture makers to design a crib for her, “Little Prince Brodi.”

As the due day of the beloved Bennet baby quickly approached, plans were made to shower the couple with gifts galore. All of the local socialites received invitations to the Bennets’ home. Everyone who was anyone was invited to attend. Rebecca sent special invitations to all of her Kappa Delta sorority sisters. She entrusted George with the special invitations and asked that he mail them right away. George hated Rebecca’s KD reunions! He dreaded every giggle and loathed every hair toss.
“How can I find a way out of this one?” George asked himself.
George decided that he would send the invitations just as his wife asked, but held onto one – Juliette Johnson Jones.
“Juliette Johnson Jones,” George said in a mocking voice. “Why does she insist on being referred to by all three names? Pretentious cow!”
George dropped twelve of the thirteen invitations in the mail then headed off to spin class. He had to be in tip-top shape to keep up with his “Little Prince Brodi.”


The day of the shower arrived, and the whole town bustled about. Everyone knew that Bennet social events were the most prestigious of all. Those who received invitations thrust their noses in the air and purchased gifts that cost more than a year’s salary. Those who were not lucky enough to make the cut drove back and forth by the Bennet mansion and hoped to catch a glimpse of someone remotely famous.


Juliette Johnson Jones waited for her invitation for weeks. She saw the Twitter posts made by the other KD girls, so she knew the date of the baby shower. When the day arrived and still no invitation came, Juliette was inconsolable.
“You think you’re better than me now that you have your perfect little family?” Juliette asked. “You will pay for this Rebecca Bennet!” she screamed as she sped down the freeway in her E-Class Benz.
Juliette knew the shame that came with exclusion. The newspapers talked more about who wasn’t invited than who was, and she refused to be on the reject list. Juliette arrived just in time for the gift-giving portion of the evening. She listened as each of her so-called sisters bragged about all they would do for the precious prince. Juliette, no longer able to contain her rage, burst from behind the hedges.
“Your college funds and plastic surgeries are all fine and dandy, but they are no match for the gift that I will give your precious prince.” Juliette’s words dripped with venom. She knew that the sweet taste of revenge would someday be hers. “When little Brodi sets out to celebrate his Sweet Sixteen, he will encounter a force greater than all the fury of hell!” Juliette shrieked just before security dragged her from the party kicking and screaming.  
Years past and Brodi Reid Bennet grew into a handsome, respectful young man. His parents had all but forgotten about the threats Juliette made against their son; they were just too busy loving their “Little Prince Brodi.”



On the night of Brodi’s sweet sixteen party, George and Rebecca Bennet felt a bit anxious. They had not seen nor heard from Juliette Johnson Jones since before Brodi had even been born, so they did not have any reason to think that she would try and follow through with the threats she had made sixteen years before. Nevertheless, they both felt an unease that neither could shake.
“Are you ok?” Rebecca asked George.
“Yea. I guess I am just nervous about Brodi driving by himself.” George responded. 
George and Rebecca decided to purchase a Fisker Karma to show their son just how much they love him. George spared no expense; he had the car custom painted so that no one else could have a car like “Little Prince Brodi.” George hid the car in the garage and warned Brodi not to go anywhere near it. He wanted to thoroughly inspect the vehicle before he allowed his baby boy to drive on the dangerous freeway without adult supervision. Though he was a lovely and respectful young man, Brodi let his curiosity get the best of him. He snuck into the garage and took pictures of his amazing birthday gift. In true sixteen-year-old form, Brodi Reid posted the pictures on his SnapChat account. He was not aware that his parents’ nemesis, Juliette Johnson Jones, was secretly following him.
Juliette laughed with delight. After sixteen years, she would finally get her revenge. She studied every detail of the car. She decided that she would wait for Brodi to get on the freeway, then, when he least expected it, she would run him off the road and leave him to rot in a watery grave!



Brodi Reid Bennet sat behind the wheel of his new car and breathed in the excitement of his new-found freedom. He turned onto the freeway; he never saw the black SUV that slammed into him and forced him off the road. Upon impact, Brodi’s perfect world went black.
George and Rebecca Bennet were devastated. George felt responsible, for he knew he was to blame for Juliette’s wrath. He watched his son struggle for life. He tried to tune out the machines, but their sounds echoed in his ears and taunted his very existence.  
As the days came and went, Brodi’s condition remained the same. His parents feared he may never awake from the coma. They tried to prepare themselves for the worst as they looked lovingly on the sleeping “Little Prince Brodi.”
Nearly 100 days after the crash, a beautiful raven-haired girl came to the hospital. She asked about Brodi’s condition, but she was quickly sent away. Brodi Reid’s family refused to talk to reporters and hired security to guard him around the clock. The girl hung around and waited for George and Rebecca to return. She needed to know about the young man whose life she saved 100 days before.
Priscilla Charming watched Juliette Johnson Jones plow into the side of Brodi Bennet’s $100,000 car. She immediately pulled her Ford Mustang over and called 911. Priscilla rushed to Brodi’s side and waited with him until an ambulance came. She explained to George and Rebecca that she would have come sooner, but a high-profile patient like Brodi was very hard to locate. The Bennets were not sure if they could trust Priscilla, but her story seemed to check out. She correctly identified the vehicle that caused the crash and she even knew what Brodi had on the night of the accident. Though it took some convincing, George and Rebecca eventually agreed to let Priscilla visit Brodi.

Priscilla’s heart was immediately broken when she laid eyes on the handsome young man fighting for his life. Before she knew what she had done, she leaned down and gently kissed Brodi on the forehead. Instantly, Brodi’s legs twitched. His hand moved. And for the first time in 100 days, his crystal blue eyes opened. He tried to speak, but the tubes in his throat rendered him inaudible. He pointed at Priscilla and a single tear rolled down his cheek. Doctors and nurses flooded the room and forced Priscilla out of their way. Brodi, despite his physical restraints continued to reach for Priscilla.
The doctors called it a medical mystery. They could not determine what woke Brodi from his seemingly eternal sleep. George, Rebecca, and Brodi, however, knew it was no mystery at all. Brodi was once again saved by his princess, Priscilla Charming. To this day, Brodi Reid feels a pain in his chest whenever he is apart from his precious princess Priscilla. Though her name will soon change to Priscilla Bennet, to Brodi, she will always be known as Princess Charming.




Thursday, April 20, 2017

Literature and Living Documents

Religion and politics will always influence literature. We can tell a great deal about a time period based on its works…
Beauty and the Beast is hands down, no argument, my favorite Disney movie of all time! I was all giggly like a school girl at a Justin Bieber concert when I bought my ticket to see the live action version. During the movie, my fiancĂ© got terribly annoyed with me and threatened to move away. I, of course, attributed his frustrations to my loud, off-key singing. Though I am sure the singing did not help, his aggravation came from the fact that every time something happened in the live action film that did not happen in the animated version, I leaned over and whispered, “That’s not right!” or “That’s not what really happened!” I am a firm believer in leaving the classics alone. I did not like the remake of Steel Magnolias. I despised the version of The Rocky Horror Picture Show recently aired. Why? Because they are classics. Leave them alone!
With that being said, I had a completely different take on the various versions of fairytales. I love watching the evolution of the characters and the softening of the storylines. I wrote my paper on Beauty and the Beast. I knew going in that my personal bias could affect the lens through which I read; however, I tried to remain objective. To my surprise, I enjoyed the reading. I actually continued reading the different versions long after I determined which tales I would use for the purpose of the paper. The assorted versions of the tale provide insight into the culture and values of the region in which they were written. The underlying messages and satirical commentary are so interesting and reflective of social issues. Why do the fairytales change? Because the moral changes; the purpose changes. The live action version of Beauty and the Beast was intended to draw in children AND adults, so changes were made and information was added. Did it make the tale worse? No! Actually, it answered a great deal of questions and offered new perspective. Reading multiple versions of fairytales works in the same manner.
The Grimms version of Beauty and the Beast, known as “The Signing, Springing Lark, was so different from the contemporary version. The girl immediately married the beast/lion and seemingly fell in love. He did not have to work for her affection or try to win her over. What also intrigued me is that he was only a lion by day; at night he took on a human form. Bettelheim made several interesting arguments about oedipal love and arranged marriages. He explained that sex without love is “beastly” and a person must be loved in order to become loveable. Very interesting perspective…

Reading various versions of fairytales is both insightful and interesting. 

Snow White: A Woman's Quest for Attention

On October 6, 2014, I went on a date with the man whom I would soon grow to love. On October 22, 2016, this man asked me to be his wife. We are currently in the throes of wedding planning; on October 28, 2017, I will become Mrs. Williams. Along with my new last name, I will gain three “bonus children.” We do not like the term “stepmother”; its connotations are far too negative. I mention all of this because I had no clue just how “fairy tale” our love story truly is. I could go on and on about the flowers he sends for no reason. I could regale you all with our engagement story (it was one for the books), but I will stick to the assignment and talk about “Snow White.”
Despite my best attempts to rise above “the evil stepmother” insignia emblazoned on my chest, I found myself unwillingly thrust into battle with my future husband’s teenage daughter. For the life of me, I could never understand why she hated me so much… then I read the assigned “Snow White” materials. As the introduction explains, “many versions of the story show (step) mother and daughter competing for the attention of a charismatic male figure” (86). When our relationship was budding and new, I was the center of the charismatic male’s attention. I failed to realize that in between the time when he divorced his former wife and met me, his beautiful, young daughter got all of the attention that I swooped in and stole. Now with that being said, I pride myself on self-awareness; I realize that I can be a jealous old hag. Following a divisive argument between my handsome prince’s daughter and myself, we determined that the young princess and the old queen needed separation. So, my prince spent time with his daughter… just them… without me! I became very jealous and nearly forced him to choose. Fortunately, I have a child of my own, so I realized that even suggesting such a choice would truly make me an evil witch. With time, the princess and I came to an agreement that did involve poisonous apples or tiny coal-mining men.
While reading the assigned material, I had several “ah-ha” moments. Why was I jealous of her? I knew very well why she was jealous of me, but why was I jealous of her? Was it her role as his daughter? I cannot, nor do I wish to take her place. Was it her ability to cause issues with my handsome prince and me? He has always stuck by my side, so that should not be a problem. Then it clicked: My jealousy may have nothing to do with her relationship with her father so much as her relationship with me!
Though the story has changed throughout history, the central idea remains the same – women are taught to be enslaved by their looks. Gilbert and Gubar insightfully state that “Snow White has exchanged one glass coffin for another, delivered from the prison where the Queen put her only to be imprisoned in the looking glass from which the King’s voice speaks daily.” In my personal situation, the roles were reversed. I was the raved-haired distraction that stole the queen’s attention. However, in time, I found that my position as star player was threatened, so I began to toy with sinister plots.
I have known the Disney version of this tale for as long as I can remember. The stepmother was jealous and wanted her beautiful stepdaughter out of the picture. That is a plot I can handle. The idea of the stepmother and birth mother being the same person blows my mind. BUT as an educator, I see this scenario play out far more often than I care to admit. Mothers are jealous of their daughters’ sixteen-year-old figure. They think back on their pre-baby bodies and begrudgingly blame their stretch marks on the younger, prettier versions of themselves. I have never considered “Snow White” a feminist tale, but I think it is safe to say the shoe fits (no Cinderella pun intended). The suggestion of women’s roles being dwarfed and their only stock and store being their looks… no wonder women hate each other so much! We have been taught to feel threatened by those who are younger and prettier than us. We expect men to “kill” for us before we accept that their love is true. This speaks volumes about the relationship between wives and their mothers-in-law and stepmothers and their stepdaughters. My bonus princes and I get along just fine, so why does the princess hate me?
I’m sorry for being so all over the place; my mind has been racing with ideas since I read the introduction and essay. I am truly enthralled by the ideas presented in the text about this classic tale.

Fifty Shades of Red

“What big eyes you have, the kind of eyes that drive wolves mad.
So just to see that you don't get chased I think I ought to walk with you for a ways.
What full lips you have, they're sure to lure someone bad.
So until you get to grandma's place I think you ought to walk with me and be safe.
 I'm gonna keep my sheep suit on until I'm sure that you've been shown that I can be trusted walking with you alone.”

You may recognize these lyrics from Sam the Sham & the Pharaohs, circa 1966. I will never forget the first time I heard this song. I was riding shotgun in my father’s Ford Maverick when he let out an ear-rattling howl… My dad has the best “Ooooooowwww” you can imagine! It did not occur to me, at the time, to question the lyrics I heard. In retrospect, I question many of the songs that my parents allowed me to sing as a child, but that is an entirely different post (and therapy session). I mention these lyrics because of the strong parallel to the message conveyed in Angela Carter’s “The Werewolf.”
 The relationship between the child and her grandmother is not detailed in the story, but one can assume that it was amiable. After all, the kid was delivering a “get well soon” package; so it stands to reason that she liked her grandmother enough to exercise empathy. Now, with that being said, I am going out on a limb with my presumed audience of this text…
The message of this tale likens Perrault’s version of LRRH; it sends a strong message about trust. We assume that our family and friends have our best interest at heart; however, that may not always be the case. Unfortunately, the ones that we trust are oftentimes the ones who hurt us the most deeply.
With that being said, I would like to draw attention to the fact that the girl was wearing, “a scabby coat of sheepskin…” Of all the skin in all the world, why sheep? Is she a wolf in sheep’s clothing, perhaps? I mean, the kid, “lived in her grandmother’s house,” and “prospered” from her grandmother’s death. My grandmother has been dead for nearly three years, and I have yet to enter her home. I certainly could not live there! Was she fully aware of her shape-shifting grandmother? Did she “cry wolf” and turn the village against her grandmother with the whole “witch’s nipple” business? Think about it, whose story do we tend to believe? If your answer is, “The one we hear first,” then you and I are on the same page.
I realize that I am stretching a bit here, but I feel like the audience of this tale may be the person who plays victim to the tragedy he creates. I am reminded of the girl who gets on Facebook and posts, “I hate my life this is the worst day ever!” (Insert sad emoji and depressing hashtag) then gets offended when someone asks what’s wrong. Are you following me? I feel as though the message in “The Werewolf” is that there are no victims. The wolf/grandmother tried to teach the girl a lesson and got killed. The girl protected herself from the wolf and cut her grandmother’s hand off. People make decisions that oftentimes lead to detriment. Some women get led astray by “wolves in sheep’s clothing.” Some women walk around in their red fishnets acting oblivious to the wolves they are attracting. Some people follow the path their entire lives and still encounter tragedy. Some people forge their own paths and never feel the slightest speed bump.
This lesson, in my opinion is more applicable to today’s audience. In many ways, we are a cut-throat society. We are taught to get rid of people who get in our way. If that means offing Grandma then so be it. Kill or be killed, right? We are a society of victims who protest rights that have not been violated and destroy out of fear of destruction. The line between predator and prey has been very blurred… just like in “The Werewolf”